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Immaculate

6/4/2023

 

Mine was a virgin birth.

After my sister came,
the doctors sewed my mother up from the outside
then turned her inside out,
like a pillow,
and stuffed her with rosemary and marigolds,
sealing her shut.

When, eight years later,
I crawled out of my mother's mouth,
an immaculate emesis,
it was no wonder I wasn't formed like normal children,
neither fearfully nor wonderfully,
but monstrously,
and smelling of rotting flower petals.

The first man my eyes ever saw was a doctor
a harmer
a healer
an expert
a fixer.
He took me in his arms and clucked like an old lady gossiping after church.
Poor thing, poor creature,
he seemed to say.
Malformed, he scribbled in my file
along with a treatment plan
a roadmap to normal.

But my body had fought its way into existence
like crashing a party.
I swung in on a chandelier and parkoured my way to the dancefloor
before anyone could check the guest list.
And the tribe of women that raised me,
can't you see them?
There they are,
at the bottom of the spiral stairs in quinceañera gowns,
widening their circle to let me in,
wild-eyed and panting,
pretending to know the moves.

They slow themselves down,
hiking up their skirts so I can see their feet at work.
When I stumble, they say nothing,
only continue deliberately, methodically
until I catch up.

But I never catch up, try as I might.

There was a time when I vomited regularly
involuntarily
sometimes heaving so hard
I would pop a blood vessel in my eye
or scratch up my esophagus so badly
I could hardly breathe.

My mother took me to the gastroenterologist
but of course he could find nothing wrong.
A child of vomit
is born to vomit.
And although my mother made me,
I was a thing distinct and inscrutable.

Imagine collecting all of your bodily emissions,
all of your urines and snots and discharges,
inspecting them to arrive at some truth about yourself.
This is the distance between parent and child.

We are all of us refuse of the universe
scrambling around to pick up our scraps
digesting ourselves to life.
​


There are no cats in olam ha-ba

5/27/2023

 

A sabbath afternoon after shul,
walking lazy figure eights
around the poles in the 68th street station
to kill time.

Deviceless,
Untethered in time or space,
floating underground in humid anonymity,
an analog watch on my wrist ticking silently,
I refuse to feel impatience.

The sense of hurry belongs to the week.
​It has no place in this cathedral in time.

The numbers on the digital timetable
keep growing larger instead of smaller,
so I stop looking at it entirely.

When I arrived here,
ten or ten-thousand minutes ago,
I walked to the end of the platform out of habit,
which means now I'm at the farthest point reachable by foot
(unless you're a mole person),
this sip of solitude just one more blessing among the many.

I am thinking about
how I shouldn't be thinking about when the train will decide to arrive--
just as I try not to think about work
or money
or lashon hara--
on this day reserved for holy rest,
​when I notice a tiny movement in the periphery.


I have lunged and stomped on the creature
before I have even registered what it is,
and when I lift my sparkly sneaker
the bug's blood cries out to me from the ground.

The hypocrisy! Keeping holy the sabbath
with occasional pauses in which to commit tiny murders.
If I were forced to account for my time on earth
at this very moment, I would try to explain:
I have three cats, they are terrible influences.
Frankly it's a wonder I didn't pick up the corpse and eat it.

Avinu malkenu,
deal with us justly
annul all harsh decrees concerning us
but if you can only forgive one of us,
please choose me over the cats.

All of this crosses and uncrosses my mind
as the train still has not decided to come,
and once I am no longer on this platform
I will undoubtedly forget.

How easy it is to forget the dead
and think more pleasant thoughts
like how the leftover challah will make great french toast.
And how difficult to remember
​how quickly the sacred turns profane
in human hands,
under human feet.

חשבון הנפש - Cheshbon HaNefesh

9/20/2022

 
 א
Baruch ata grace.
Baruch ata benefit of the doubt.
Baruch ata good faith.
Baruch ata deep breath.

I need forgiveness for
still not finding my way out of the hurts.

So much so that all these years later
I am not growing past them
just growing around them
like a tree with an injury to the bark.
The oak with a metal "no littering" sign nailed into its trunk
whose bark grows around the edges,
swallowing up consonants,
is beautiful, sure, but it's also a crime against the universe. 

So much so that I react to kindness like an abused puppy
pissing on the floor and biting the hand that
is only just trying to feed.

Help me to ask forgiveness
from the hands I've bitten
that were only just trying to feed.

Baruch ata teshuvah.
Baruch ata blindfolding myself and spinning around and around, 
guessing the direction of the piñata,
swinging my bat in the air.
Baruch ata beating something other than myself.
Baruch ata variety packs of cheap candy.
The prize is never the point.

Teshuvah, a turning, a returning, a seeking,
a shutting off of the basement light real fast
and running up the stairs before the dark can come for you.
A learning to live alongside the dark.

 ב
Singing is breaking a glass beneath a chuppah.
There is always a sadness
around the margins or under our feet
and it's best to just acknowledge it.
It doesn't matter if it's
walking on sunshine
or
or chadash
or
this little light of mine.
There is an artful yellowing around the edges
intentional but entropic
you can only control a flame so much
like an old parchment exposed to the elements 
before a preservationist can get their healing hands on it.

It's the reason why
when you sing good and long
your throat inflames with a delicious soreness
the same scratchy damage you get
from smoking a pack a day
to give your voice
a sound beyond yourself.
To sand away its sweetness.

So you suck on fire and arsenic and a leaf
which is the grandson of a leaf
which is the grandson of a leaf
which was planted by a person in bondage
who sang as he planted
because what else could he do but sing.

The fire you take into your body is a girdle
and control top pantyhose
and a flatiron
and contouring foundation
it is a tool by which to become something other than yourself.

 ג
In Europe, the Jews were forced to become money lenders.
Other professions were restricted to good Christians only
so the Jews lent money on interest because that was the only way to make a living
and in so doing, they earned a reputation for greed, usury, demanding pounds of flesh.
Damned if we do, dead if we don't.

They cobbled, tailored, seamstressed, farmed
on the edges of a land promised to someone, surely not us.

Then when they were run out of town by domestic cats in cossack hats
they fled to another land promised to someone, surely not us.

Where their children never knew the right questions to ask
so they didn't bother
and shrugged off the old truths like a winter coat indoors.

My father always walked ahead of us
even, and especially, when we all had the same destination
as if he was hoping we'd one day take the hint
and when he turned around we'd be gone.
But I didn't have anywhere else to go.
The old country doesn't exist anymore.
And the new one doesn't take kindly to foundlings.
Not to mention deformed, half-crazy, race-bending foundlings with no bankable skills beyond an ancestral talent for lending.

Behind him he left a snail trail
of things that meant nothing to him
which I collected and catalogued like the lender I would one day be.

There were pictures of my mother, trigueña and tall
My sister long before I met her,
when I was still a wish in her sparkling onyx eye.
Of women who would teach me how to hold a spoon and read a book and roll my r's
and braid my hair and make arroz and pay for college and get as far away as I could before the darkness caught up with me.

There among the scraps was rock and roll music
lying on the sidewalk
daring me to sing.
I screamed my throat out and smoked like a havdalah candle
to sound like my soul.

And again among the scraps I found hashem.
If it was a dog it wouldn't have bitten me
because it would have understood that I was only just trying to feed.
I picked it up and breathed it in
it smelled like an older world and freshly brewed tea
a little sip of heaven and bergamot
wrapped in the skin of a Lisa Frank dolphin.
Impossible to see without a blindfold.

I saved it all.
Tucked away in a tote bag along with an enormous canteen of water and exactly zero dollars cash.
One man's trash.
You can borrow it, but you'll need a library card.

 ד
Hineni
Here I am
my father still hasn't turned around to see if I'm behind him
and finally, I'm not.
Hineni
Here I am
arisen from the algae and barnacles that clung to the Statue of Liberty
a golem made of the dirt and loosened asphalt on the shoulder of the Long Island Expressway
I write אֱמֶ֑ת—truth—on my forehead
and come alive.

I was brought into this world
on the eve of someone's new year, surely not ours.
But I come alive now.

Shana Tova.
V'imru Amen.

Self-portrait

7/23/2022

 

Look up a word
it doesn't exist
​use it anyway.

Have a little poem, as a treat.

2/8/2022

 
My poem, "Elegy for Avon Beyond Color Lipstick in Beige Shimmer, Discontinued" is featured in Monstering Mag, which publishes the creative work of disabled women, non-binary, trans, gender non-conforming, agender, and gender-expansive people. Check it out!
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